
Design & Tell is our exclusive Q&A series spotlighting the creative forces and CEOs behind the brands we represent in our showroom. From concept to creation, we explore the inspirations, processes and philosophies that shape their collections. In this edition we speak to Kate Marr, Founder of Titley & Marr.
What inspired you to start your brand?
I think arrogance and ignorance! I was completely addicted to designing and working with print factories, I could see some appalling brands in the 80s making some fairly terrible product ranges. I was impressed by the design led British brands, C&F, O&L, etc etc and I and my partner decided we could make a brand and be part of the scene.
What's the story behind the name of your brand?
Founded by Ken Titley and Kate Marr – we eventually married but Titley and Titley don’t sound right!
How would you describe your brand's identity in three words?
Integrity, professional, reliable.
Where do you draw inspiration from for your collections?
Lots of inspiration from antique textiles, both European, Eastern and tribal. I have collected fabrics for decades.
Can you talk us through the process of creating one of your signature designs?
I tend to look at the collection as a whole and see if there is a style, scale missing. I’d then decide on a genre, find some inspiration in books or the famous collection of “bits and pieces” and play with drawings, painting and colour to reinvent the piece in a more appropriate way for contemporary interiors and to sit alongside the collection as a whole.
How important is craftmanship and material quality to your brand?
I only want to work with manufacturing factories who have high standards of workmanship and integrity as well as sustainability. I use the best cloths I can find to print on. All our printing, with only one exception, is done in the UK. Weaving is mainly done in EU.
How do you balance tradition and innovation in your work?
Nowadays I often use modern printing techniques – digital printing has improved massively in the last decade. The advantages in Digital are – less water is used, smaller quantities can be printed therefor less wasteage but I always make sure the finished product looks like a screenprint
Have there been any standout projects or collaborations in recent years?
I worked with the designer at the Peninsula hotel and developed bespoke products for curtains in suites. I really enjoy working directly with Interior Designers – to take their vision and convert it into beautiful fabric for their projects
What does a typical day look like for you?
A huge mixture of admin, designing, choosing colours,
What's next for your brand?
Hopefully developing more – perhaps a little bit more traditional for 2026
Quick Fire
Favourite material to work with?
Probably linen with cotton and wool close second
Design hero?
Anni Albers
Colour you will never tire of?
Green – any kind of green
Bold pattern or neutral texture?
BOLD pattern
Favourite era for design inspiration?
19th Century
If your brand was a season, which would it be?
Spring, we always have nature in our designs
